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DV Magazine

• From the Editor: It's (Almost) Show Time!
• Production Notes: Bokeh Arrow — I Was Cool, But I Lost It
• Autocue Unveils HD Monitors and Video Servers at Digital Video Expo
• YouTube Solicits User Submissions for ‘Life in a Day’
• Zeiss Intros New T1.4 Distagon Wide-Angle Lens
• Hodgetts Leads Web Video Tech Sessions at Digital Video Expo
• Capturing Moving Cars with AJA Ki Pro and the ARRI Alexa
• TransferBigFiles.com Launches iPhone App to Send HD Videos Wirelessly
• Canon Intros New XF-Series Camcorders: XF105 and XF100
• Expanded Training Opportunities at Digital Video Expo, Featuring Final Cut Pro 7 and Adobe CS5

Filmmaker Magazine

• WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS
• ETIENNE! PREMIERES AT NEW YORK’S reRUN
• “GET ME MY F*CKING SOY BURRITO!”
• WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS
• FILMMAKER FLASHBACK: FALL, 1996
• SUNDANCE DOC CREATIVE PRODUCING LAB DIARY #2: RACHEL LIBERT
• SUNDANCE DOC FILM CREATIVE PRODUCING LAB DIARY: RACHEL LIBERT
• SOLVE A HUMAN MYSTERY, PRODUCE A FILM
• SUNDANCE CREATIVE PRODUCERS LAB DIARY: AMY LO, PART 2
• CANON ANNOUNCES THE EOS 60D, WITH FLIP SCREEN

MovieMaker Magazine

• 25 Must-Have Apps for Moviemakers
• Robert Brousseau and His Race
• Of Micmacs and Moviemaking
• George A. Romero Speaks
• Live From Tribeca 2010: All Access
• Sundance Institute Chooses Participants for East Africa Theatre Lab
• Atom Egoyan’s Golden Rules
• MovieMaker at the 2010 Spirit Awards
• Indies Rule at the 82nd Annual Oscars
• Kristopher Belman Learns It’s More Than a Game